PayPal Donations with WordPress - How to Allow Them

Looking for a new way to monetize a WordPress blog? Then why not accept PayPal donations with WordPress, so that your audience can show their appreciation for your efforts. Its super-easy to setup, plus everyone has PayPal.Admittedly, this approach probably wont make you rich overnight. However, if your website doesnt naturally lend itself to generating ad revenues, selling products, and you have no services to offer, donations could be the best monetization option you have or, if you run a non-profit, donations naturally align with your sites goals.And even if you do have other monetization strategies, you still shouldnt turn your nose up at donations its more money in your pocket, with no extra effort on your part. Even if visitor contributions only cover your sites running costs, every little helps, right?Donations can also strengthen your bond with your audience. Every donation you receive means someone has dipped into their pockets to compliment the job youre doing and the exc ellent, actionable content you write so expect a warm, fuzzy glow with every one. Visitors who donate are likely to feel like theyve contributed to your website, too, so expect them to become loyal followers.Today, I want to show you how to add PayPal donation buttons to any WordPress website, and thus collect PayPal donations with WordPress.Ill be using the PayPal Donations plugin, which you can download for free from the WordPress repository: PayPal Donations Author(s): Tips and Tricks HQ, Johan SteenCurrent Version: 1.9.5Last Updated: May 1, 2019paypal-donations.zip 100%Ratings 655,874Downloads WP 3.0+Requires How to accept PayPal donations with WordPressTo start, we need to install the plugin. Access the WordPress dashboard, then head to Plugins / Add New. From here, search for PayPal Donations and hit enter. Youre looking for the first plugin returned hint: its the one by Tips and Tricks HQ and Johan Steen.Found it? Now press Install Now / Activate Plugin.Now you need to navigate to Settings / PayPal Donations to configure the plugin and design your donation button. This is the general settings screen you will see:The first field, PayPal Account, is by far the most important. Its here that you need to input your PayPal email address or your Secure Merchant ID (found by logging into PayPal, then navigating to Profile / Profile and Settings). Double check you typed this field correctly, as this is where all donations are sent!Directly below, you can choose your preferred currency. Again, make sure this field is correct, as PayPal can apply some pretty hefty fees for any transactions not in your default currency.The next step on your way to allowing PayPal donations with WordPress is to setup your page style, which is done via the PayPal dashboard. Log into PayPal, then head to Profile / Profile and Settings / My Selling Preferences. Find the Payment Pages option, then hit Update. (The route to this page may vary depending on what country your PayP al account was registered.)Here, youll be able to customize the default payment page, or create a new one from scratch by selecting Add. You can upload your own logo, add a header image, and change background images and colors. The design will still be relatively basic, but it will at least reflect your branding.When youre done, return to the PayPal Donations settings screen, and paste the name of your custom payment page. Directly below, you can also select where customers are returned post-donation I recommend creating a dedicated Thank You page.Next, we have another important section: choosing the default deposit amount. The amount chosen will have a significant psychological impact on your visitors, so choose wisely pitch too high and you will appear greedy and put potential donators off; too low, and youre leaving money on the table.I think the price of a cup of coffee is about the right amount, possibly reaching as high as $10. Or, if you dont want to influence your readersh ip in any shape or form, you can leave this field blank.At the bottom of this screen, youll be able to select your button style. The screenshot below displays the three options available to you, all instantly recognizable as PayPal buttons. If youd prefer to flex your creative muscles, you can also upload a custom image to act as your donation button.When youre done, hit Save Changes.There is a second tab, Advanced, with several optional fields for you to configure including disabling PayPal statistics, opening PayPal in a new tab, and enabling sandbox mode for testing purposes. Each option is activated by ticking the relevant checkbox, then clicking Save Changes.At this point, we have a fully configured plugin! Now its time for the fun part: adding PayPal donations buttons to your website.The PayPal Donations plugin offers two options: widget or shortcode.The widget option lets you add a donate button to any dedicated widget space such as a footer or sidebar section. This is perf ect for achieving maximum visibility, as your donation button will be seen on every page.To add a donation button in this way, navigate to Appearance / Widgets. Find the PayPal Donations widget, then using drag-and-drop, place it into the relevant widget space:Now, youll be able to add a title for the widget, plus some text to encourage PayPal donations with WordPress:Once youve placed the widget, it will look something like this on your website:Tip: most themes will automatically left-align the donate button, which can look a little clumsy. If youd like to center-align the button, navigate to Settings / PayPal Donations / Advanced and tick the Theme CSS Override: Center Button option.The alternative is copying and pasting a simple shortcode [paypal-donation]. This will create a donation button using the settings you configured earlier. However, you can modify the shortcode to alter the default settings for several parameters, including the amount, button_url, and return_page for example: [paypal-donation amount:"5"]This is the more flexible of the two options, as it allows you to dot donation buttons throughout your content and anywhere else on your site.Final thoughtsAnd that concludes todays tutorial on how to allow PayPal donations with WordPress through simple buttons. If you want to diversify your revenue streams, give it a go!Have you had any success accepting PayPal donations from your visitors? Share your experiences in the comments below!

Discussion Question-essay Example

Discussion Question Discussion Question Carnival Corporation and plc Carnival Corporation and plc is a leading cruise company in the industry with eleven segmented cruise lines which handle different customers and geographical locations. The segmentation of their operations enables the corporation to extend their services to a larger market. For instance, in the USA market, there are Princess Cruises, Holland America Line, Carnival Cruise lines, and the Seaborne Cruise Line; In Germany market, there are the AIDA cruises; in the united kingdom market, they have the Ocean Village, Cunard Line, and P the Italian market has the Costa Cruises; Spanish with the Iberio Cruises and Australian market is served by the P princess cruises was a luxurious cruise which enabled clients to escape from their daily routine by providing them with a special services; Holland and AIDA cruise brands were premium cruise; Seaborne Cruise Line and Cunard Line were luxury cruises (Porter, 1980). Segmentation of their brands enables the corporation to maximize their portfolios such that they are widely recognized as the leading provider of cruising services in the world with various types of cruises which complement each other in terms of prices, destinations, geographical location, nature of services and conveniences. The brands enable the cooperation to cater for the needs, preferences and cultural orientation of their customer globally. Work cited Goyat, Sulekha. The basis of market segmentation: a critical review of literature: European Journal of Business and Management, Kurukshetra (136109), Haryana, 2011.Porter, Michael. Competitive Strategy: Techniques for Analyzing Industries and Competitors. Free Press, a division of Simon & Schuster Inc.1980.

Memorable Lucille Ball Quotes

Memorable Lucille Ball Quotes Lucille Ball began her career in musical comedy, became a success in radio comedy, starred in several movie comedies, and achieved her greatest popular success with her TV show, I Love Lucy, first airing in 1951 and running until 1957. She also starred in The Lucy Show (1962-68) and Heres Lucy (1968-74). Lucille Ball and Desi Arnaz, who produced I Love Lucy together as well as starred in the show, were married from 1940 to 1960. Lucille Ball managed Desilu Productions from 1962 to 1967 and Lucille Ball Productions from 1967 to 1989. Selected Lucille Ball Quotations I never thought I was funny. I dont think funny. Im not funny. What I am is brave. Ability is of little account without opportunity. The secret of staying young is to live honestly, eat slowly, and lie about your age. If you want something done, ask a busy person to do it. The more things you do, the more you can do. Luck? I dont know anything about luck. Ive never banked on it, and Im afraid of people who do. Luck to me is something else: Hard work - Â  and realizing what is opportunity and what isnt. One of the things I learned the hard way was that it doesnt pay to get discouraged. Keeping busy and making optimism a way of life can restore your faith in yourself. I think knowing what you cannot do is more important than knowing what you can do. In fact, thats good taste. I would rather regret the things that I have done than the things that I have not. In life, all good things come hard, but wisdom is the hardest to come by. I have an everyday religion that works for me. Love yourself first, and everything else falls into line. You really have to love yourself to get anything done in this world. Once in his life, every man is entitled to fall madly in love with a gorgeous redhead. My God, Im outliving my henna. Womens lib?...It doesnt interest me one bit. Ive been so liberated it hurts. Politics should be the part-time profession of every citizen who would protect the rights and privileges of free people and who would preserve what is good and fruitful in our national heritage. Its a helluva start, being able to recognize what makes you happy. Not everything that is faced can be changed, but nothing can be changed until it is faced. I regret the passing of the studio system. I was very appreciative of it because I had no talent. What could I do? I couldnt dance. I couldnt sing. I could talk. Heaven, no. I was shy for several years in my early days in Hollywood until I figured out that no one really gave a damn if I was shy or not, and I got over my shyness. You see much more of your children once they leave home. Use a make-up table with everything close at hand and don’t rush; otherwise you’ll look like a patchwork quilt. A man who correctly guesses a womans age may be smart, but hes not very bright. What we did on [i[I Love Lucy was not slapstick. I worked with the Three Stooges years ago, and they were masters of slapstick, so I know what slapstick is. The best thing I learned from working with the Stooges was when to duck! Its true. Your timing has to be right so that you dont get hurt in the scene. The Stooges were always teaching people on the set how to duck. You spell Bob Hope C-L-A-S-S. I dont do T A very well because I havent got much of either. Quote collection assembled by Jone Johnson Lewis.

How lean management can be applied to a grocery retailer Essay

How lean management can be applied to a grocery retailer - Essay Example This is due to the limited resources; however, small businesses such as small grocery store can incorporate lean thinking in establishing a new business, expansion of the existing business or in placement of other branches in other regions. This paper discusses how a small grocery store owner can use lean thinking for the benefit of the business as well as of the clients. Generally, the application of the lean approach in the context of a small business such as a green grocery, allows the business to minimize its costs, minimize execution time, increase efficiency, reduce all types of wastes, as well as keep low inventories. Moreover, the approach contributes to attainment of customer satisfaction, enhancement of the general product quality as well as increase the management morale, in this case the grocer (Valentinova, 2015). The major objective of using lean retail is basically a commitment to the elimination of wastes. Some of the waste in the context of a grocery store include, excess supply that may result in the damage of the highly perishable products in a grocery. The grocer should ensure that the supply of products is directly proportional to the market demand. This reduces damage of some of the highly perishable products such as tomatoes, and kales. Moreover, the grocer should use preservative measures such as the use of freezers to preserve the perishable products. The owner should also ensure that the likelihood of defects of products is minimized to the lowest level possible. This can be ensured by taking all the required measures in the storage of products, for instance, while preserving perishable grocery products, the business owner should ensure that all the preservative measures are in place for instance, the refrigeration time, period and ensuring that the products are preserved in the best condition (Sen, n.d.). Moreover, the owner should avoid wastage of time

Smoking and how to quit it Essay Example | Topics and Well Written Essays - 500 words

Smoking and how to quit it - Essay Example Part of quitting smoking successfully is to make the right preparations so you don’t have a relapse. The first action to quitting smoking is to set a quit date. This date should be long enough to give yourself time to mentally prepare yourself about quitting smoking, but should also be within a short period of time so you don’t keep procrastinating. The next thing you can do is change the environment that you live in. This is a big part of quitting smoking because our surroundings can remind us about when we used to smoke. Another thing to do is to remember previous times when you tried to quit and thing about what worked well and what did not (â€Å"5 Easy Steps to Quitting†). The final thing you can do in preparing to quit smoking can be not feel tempted to take another puff ever again, because this will bring back memories. The next step to quitting smoking is to find friends and family who will encourage you in your decision to quit. Studies have shown that y ou have a higher chance of success if you receive help (â€Å"5 Easy Steps to Quitting†).

Bio Cement Essay Example for Free

Bio Cement Essay The project aims at attaining high durability of concrete and gaining high strength of cement. We plan to make use of bacterial species which can hydrolyze the enzyme Urease efficiently to produce microbial concrete. Such bacterial are known to produce calcium which is useful in giving strength to cement. We are working in 2 stages. Stage 1: Here we check the effect of bacterial solution on cement mortar and along with that we check the effectiveness of the bacterial solution to fill the cracks in concrete by precipitation of calcium in the cracks. Stage 2: To prepare concrete using the cement and solution (bacterial) in optimum ratio and checking its effectiveness from strength and durability perspective. Till now Stage 1 is partially over: We have made use of this bacterial solution(Emulsion: Bacillus culture+ nutrient broth+ sucrose+ urea+ calcium chloride+ antifungal agent(griseofulvin)to heal the existing cracks in the concrete walls. For achieving high 7 days we have made use of bacterial solution in some fixed proportion with water. The 7 days test was performed on 7/12/11 with 5%, 10%, and 15% of the bacterial solution with respective percentage of water. We have gained a significant percentage increase in the strength of the cubes made with bacterial solution with water versus those made with only water Bacteria at work Microbially induced calcite precipitation (MICP) Microbially induced calcite precipitation (MICP) is known to be a natural phenomenon associated with a wide range of bacterial species such as Bacillus spp. provided the right conditions, namely, an alkaline environment rich in Ca2+ ions. Bacterially induced mineralization has recently emerged as a method for protecting and consolidating decayed construct materials. Calcite (CaCO3) is one of the most common and widespread minerals on the earth, constituting 4% by weight of the earth’s crust. Calcite precipitation is a common phenomenon which forms natural rock and exists in environments such as marine water, fresh water, and soils. Microbial calcite precipitation can be induced by organisms involved in the nitrogen cycle, via the hydrolysis of urea by enzyme urease, which results in the production of carbonate ions in the presence of ammonium. Calcium carbonate is readily precipitated under these conditions, in the presence of calcium. Microbial calcite precipitation comprises a series of complex biochemical reactions. During microbial urease activity, 1 mol of urea is hydrolyzed intracellularly to 1 mol of ammonia and 1 mol of carbonate, which spontaneously hydrolyzes to form additional 1 mol of ammonia and carbonic acid. Subsequently, these products equilibrate in water to form bicarbonate, 1 mol of ammonium and hydroxide ions which give rise to a pH increase and ions Ca2+ and CO32- present in the surrounding precipitate as CaCO3. Urea hydrolysis is the most easily controlled of the carbonate generating reactions, with the potential to produce high concentrations of carbonate within a short time. Bacillus spp. was used in this study. The culture was grown in Nutrient broth-urea (NBU) medium containing peptone, sodium chloride, yeast extract, 2% urea and 25mM calcium chloride and incubated at room temperature on shaker condition (130 rpm). Calcium chloride acts as the source of calcium ions and urea as the source of carbonate ions. Observations * There is a rise in the compressive strength of the mortar cubes till 5 % bacterial solution. * The strength is reduced when the proportion of bacterial solution is increased up to 10 % and beyond. * The cubes with 15% bacterial solution shows 8 % decrease in strength. * The 1%, 2%, 3% cubes developed less cracks in comparison to control cubes. * The cubes when observed after testing , the control cubes had more number of empty pores. Conclusion * 3% cubes showed an increase in compressive strength of 36 % in comparison to control cubes. * Reduction in empty pore space.(which prevent the ingress of water and other chemicals ) * Bacteria does not have any physical effect on the cement. * Chemically inert. * Bacterial solution can be prepared on a large scale . * No skilled labour is required. * Its production is economical. References * Microbial activity on the microstructure of bacteria modified mortar by S.Ghosh, M.Biswas, B.D. Chattopadhyay, S.Mandal. * Effect of calcifying bacteria on permeation properties of concrete structures by Dr. Varenyam Achal. * Work on BacillaFilla by New Castle University.

The Mother Daughter Relationship in I Stand Here Ironing by Tillie Olse

The Mother Daughter Relationship in "I Stand Here Ironing" by Tillie Olsen 'I stand here ironing,' a unique phrase uttered by a woman in her conquest of life. It may seem like an unwanted phrase to many, but it has deep meaning behind it. This phrase is almost whispered by the narrator of ?I Stand Here Ironing,? Tillie Olsen, and also by many other mothers going through an important stage in their lives. The stage in life that the mother in the story is going through is called child development, and within this complicated stage arise many new worlds of imagination, emotional journeys, and soothing memories. The whole story is based around a mother's view, and joy, of her child growing up in a world filled with barriers and hurdles that she must overcome. The entire point of view is that of the narrator, as a mother concerned with the way her child is being raised and the hardships she must overcome. She also witnesses her daughter?s happiness and the colorful meanings of life that she discovers herself. I believe this story is based around the hardships of growing up as a woman in the Nineteen-hundreds. It has all the symbolism of being a true feminist short story. As Elaine Orr expresses in her criticism, Tillie Olsen and a Feminist Spiritual Vision, about how ?Suddenly Emily is emblematic of all children, of the next generation??(EO 84) that the times were of the early feministic era. When feminists were about conquering oppression and rising above the rest of the doubt that society places upon them. She talks about how ?Emily will not survive. If she does not believe in future presence, in beginnings latent in her own life, all is lost: past, present, and future.?(EO 84) expressing once again how the times were differen... ...cts of the mother and the descriptions, which are presented to us from her, are very conclusive and need to be further examined to draw out any further conclusions on how she ?really? felt. The mother-daughter relationship between the narrator and her daughter bring up many questions as to their exact connection. At times it seems strong, as when the narrator is relating her childhood and recounting the good times. Other times it is very strained. All in all the connection between the two seems to be a very real and lifelike account of an actual mother-daughter relationship. Bibliography: 1. Orr, Elaine. Tillie Olsen and a Feminist Spiritual Vision. Jackson: University Press, 1987 2. Responding to Literature. ?I Stand Here Ironing?. Mayfield Publishing Company: Judith Stanford. 1999. Pg. 815-821.

10 examples of political rhetoric Essay

1. â€Å"Medicare is the binding commitment of a caring society.† In President Bush’s State of the Union Address, he describes what medicare is to the public. I honestly cannot make any sense of this statement. It sounds like he is trying to make Medicare into something it is not. It appears that Mr. Bush is just trying to sound intelligent in my opinion. 2. â€Å"Axis of evil† This is the term by which President Bush refers to North Korea, Iraq, and Iran; he uses this term so people will associate these countries with â€Å"evil†. He is giving enemies a name that makes them look worse to the public. 3. â€Å"Weapons of mass destruction† President Bush uses this term to make the atomic/nuclear weapons that Iraq supposedly possesses seem more intimidating to the public. He is literally trying to scare people with this rhetoric. After people hear and believe this phrase, any action that Bush chooses to carry out on Iraq will seem justifiable. 4. â€Å"Evil doers† Rather than naming the specific people or group he is speaking of (such as Osama bin-Laden or members of the Al-Qaeda network), Bush refers to them as â€Å"evil doers†, which is a very emotionally charged phrase, used to ensure that the public share his sentiments toward the â€Å"evil doers†. 5. â€Å"Shuttle contingency† Before NASA was positive that the shuttle Columbia had exploded, the situation was referred to as a â€Å"contingency† (a possible emergency). 6. â€Å"Inner-city areas† 99% of the time the phrase â€Å"inner-city area† is used; it is referring to an African-American or Hispanic neighborhood. They use this term because it’s more â€Å"politically correct†. 7. â€Å"Equal Opportunity† This term is used usually when one minority is, in reality, getting preferential treatment in order to make things â€Å"equal†. 8. â€Å"War on Terror† This phrase is used to imply that the U.S.A. is targeting possible or actual terrorists and more than ready for war with them. 9. â€Å"War on Drugs† This phrase is used to imply stricter drug policies on people and places by longer prison sentences, mandatory minimums, and many other tougher penalties for drug offenders. 10. â€Å"Third World Nation† When someone refers to a â€Å"third world nation†, they are referring to a rather poor, â€Å"underdeveloped† nation.

A Brief History of Byzantine Art Essay

Byzantine Art important pictorial Document St.mark’s basilica, Venice italy [pic] four co-emperor ruling plan called The Tetrarchy [pic] Cupola at the transept crossing [pic] The most famous of the surviving Byzantine mosaics of the Hagia Sophia in Constantinople – the image of Christ Pantocrator on the walls of the upper southern gallery [pic] Miniatures of the 6th-century Rabula Gospeldisplay the more abstract and symbolic nature of Byzantine art. [pic] Frescoes in Nerezi near Skopje (1164), with their unique blend of high tragedy, gentle humanity, and homespun realism, anticipate the approach of Giotto and other proto-Renaissance Italian artists.[ [pic] Leaf from an ivory diptych ofAreobindus Dagalaiphus Areobindus, consul in Constantinople, 506. Areobindus is shown above, presiding over the games in the Hippodrome, depicted beneath. [pic] Mosaic from San Vitale in Ravenna, showing the Emperor Justinian and Bishop Maximian of Ravenna surrounded by clerics and soldiers [pic] Mosaic from the church of Hagios Demetrios inThessaloniki, late 7th or early 8th century, showingSt. Demetrios with donors [pic] Helios in his chariot, surrounded by symbols of the months and of the zodiac. From Vat. Gr. 1291, the â€Å"Handy Tables† of Ptolemy, produced during the reign of Constantine V. [pic] An example of Macedonian ivorywork: the Forty Martyrs of Sebaste, now in the Bode Museum,Berlin [pic] The Annunciation from Ohrid, one of the most admired icons of the Paleologan Mannerism, bears comparison with the finest contemporary works by Italian artists [pic] Modern Orthodox mural from Israel using a depiction of the Nativity of Christ little changed in over a millennium [pic] Byzantine Manuscripts (sixth to 15th century) In the Byzantine Empire, another tradition of manuscript illumination emerged. The most influential characteristics of Byzantine manuscript painting were the abundant use of precious metals, especially gold; the choice of bright colors; and the use of empty space, often filled with gold leaf, as background. Byzantine illumination was frequently devoted to narrating biblical stories. Styles of depicting the human figure varied in Byzantine art over the centuries. Sarcophagus St.peter [pic] The so-called Gothic chieftain, from the Mosaic Peristyle of the Great Palace of Constantinople [pic] Saint Peter mosaic from the Chora Church [pic] A pre-Iconoclastic depiction of St. Demetrios at the Hagios Demetrios Basilica in Thessaloniki. [pic] The mosaics of St. Mark’s Basilica in Venice [pic] mosaic in San Vitale in Ravenna [pic] Byzantine mosaic in Ravenna’s Basilica di Sant’Apollinare in Classe [pic] Latin cross plan A view of Hagia Sophia, Istanbul [pic] Location within Turkey Istanbul [pic] Interior view of the Hagia Sophia, showing Islamic elements on the top of the main dome. [pic] Stone remains of the basilica ordered by Theodosius II, showing the Lamb of God [pic] Construction of church depicted in codex Manasses Chronicle (14th century) [pic] Groundplan of the Hagia Sophi

Mastering the Art of Dialogue - Freewrite Store

Mastering the Art of Dialogue - Freewrite Store Some writers find that producing authentic-sounding dialogue comes naturally to them. For a much larger majority, however, mastering the art of dialogue is something that takes a lot of time, effort and experimentation. Even if you find it easy to write passages of dialogue, that doesn’t mean that you’re getting it right. There’s more to mastering dialogue than being able to fill page after page with your characters’ conversations. That’s a lesson that I learned the hard way. I wasn’t fazed by writing dialogue - in fact, I actually enjoyed it - but I didn’t get the balance right, and my writing suffered as a result. My first novels and short stories were full of long passages of, well, meaningless dialogue that didn’t really move the story along. When I went back, several years later, to rewrite those initial books, I cut one manuscript from 120,000 words to 89,000 words, just by tightening up my dialogue. In this article, part of a series on developing and strengthening your writing techniques, we’re going to be looking at 3 of the common dialogue mistakes that writers make and discovering how you can master the art of dialogue by practicing 3 (relatively) simple methods. I can’t promise to make you love writing dialogue, but I can help you to exercise your dialogue-writing muscles in a productive way. Why is it So Important to Get Your Dialogue Right? Dialogue plays a huge role in your writing, so if you’re not getting it right, then you’re less likely to be succeeding as an author. Readers are picky creatures, and they notice things like badly-written dialogue or dialogue that isn’t effective. As writers, we’re slaves to the wants, needs, and desires of our readers, so it’s not like we can just expect them to accept that we have our own way of writing dialogue. If they don’t like our dialogue, they won’t be back - and they’ll probably leave scathing reviews about how disappointed they are. That’s the worst-case scenario, of course, and there are different degrees of bad dialogue (which cause anything from mild annoyance to outright outrage in our readers). The thing you need to understand is that dialogue serves so many functions in a novel that getting it wrong can have a huge impact. In a novel dialogue: Reveals emotion Breaks up the narrative Moves the story along Reveals character traits Do You Make These 3 Dialogue-Writing Mistakes? There are more than three dialogue-writing mistakes that you can make, but these are both the most common and the most problematic. Try to be hyperaware of these mistakes, so you can catch yourself in the act of making them and avoid a lot of editing later. #1 Letting Grammar Rules Rob Your Dialogue of Authenticity When I was in school, I didn’t learn grammar rules. I was born in the United Kingdom, and at the time there was a theory that children didn’t need to be taught the rules of grammar. I’ve no idea why that was the case, but my earliest stories weren’t hindered by worries about grammar. Then I studied English Language and grammar made its bold entrance into my writing. It wasn’t all bad. Some things improved. Unfortunately, my dialogue wasn’t one of them. I’ve discovered that being a stickler for grammar rules only leads to one thing in dialogue: inauthenticity. When I was shackled by grammar rules, my dialogue became formal and unnatural. Like this: Ashley set her handbag down on the dresser. â€Å"Good evening, Martin,† she said. â€Å"Good evening, Ashley,† Martin replied. â€Å"I must inform you that Mrs. Edmundson telephoned during your absence. It was requested that you return the call at your earliest convenience.† Now, there may be instances when it’s okay to use this kind of dialogue - if it portrays character traits, for example, but as a rule of thumb, in dialogue, you don’t need to stick to grammar rules 100%. Your sentences still need to make sense, but people don’t strictly adhere to grammar rules when they talk, so neither should your dialogue. Ashley dumped her bag on the dresser. â€Å"Hey, Martin,’ she called as she walked into the kitchen. ‘Hi, honey,† Martin said, looking up from his laptop. â€Å"Your Mom called while you were out; said can you give her a call back?† Doesn’t this sound way more realistic? #2 Using Dialogue to Explain Back Story in an Obvious Way Every time I see this in a novel, I cringe. I get why authors make this mistake, and I’m probably guilty of doing it myself. Using dialogue to explain back story or offer important facts that the reader needs to know is really common, but for readers, it’s just, well, wrong.Let’s look at an example: â€Å"As you know, Matt, we’ve been researching this aspect of our family history for ten years now,† Theo began. â€Å"Yes, that’s right, Theo. We got started when we had to do a project when we were at high school, didn’t we? It’s been quite an adventure! We’ve discovered some really scandalous things back in the 1700s.† â€Å"I know!† Theo replied, chuckling. â€Å"But, now we can do the Ancestry DNA and find out even more. I sent for the kit last week and it arrived this morning.† There’s nothing natural about this exchange. The characters clearly know all these things so there’s no reason why they’d need to tell each other the details - it’s purely for the readers’ benefit, and that is quite jarring. If you really must convey some backstory in dialogue (though there are lots of other ways to explain your backstory in a creative fashion), then you need to ensure that the conversation sounds more natural. Like this: Theo grabbed the Ancestry DNA kit off the counter and spun round to face his brother. â€Å"Hey, Matt, what’s your favorite thing that we’ve found out about the family history?† he asked. Matt thought for a moment. â€Å"I dunno. There’s so much scandal to choose from,† he replied. â€Å"But I guess it’d be the baby being left on the steps of the church. I mean, that’s what got us hooked on the whole family history stuff.† â€Å"Yeah,† Theo agreed. â€Å"I can’t believe we’ve been investigating this stuff for ten years! It’s like some weird addiction.† â€Å"Better to be addicted to research than the kind of stuff that the other kids who did the same project in high school got addicted to,† Matt said, sighing. â€Å"You heard that Johnny OD’d last week?† Conveying backstory in this way makes the conversation sound more natural and authentic, and it’s not an obvious dump of back story into a dialogue exchange between characters. #3 Overusing Character Names This is one of my pet peeves when I’m reading a novel. It interrupts the flow and makes dialogue sound really unnatural. Take this for an example: â€Å"Hey Dominic, how're things going?† â€Å"Not bad, Alex. How about you?† â€Å"Oh, everything’s going fine, Dominic. Are you still working at the same place?† â€Å"Yes, Alex. I’ve been working there for ten years now. I heard you’d moved up the career ladder.† â€Å"You heard right, Dominic! Got myself a promotion last year, and I’m in the running for another one this year, too.† Think about the conversations you have on a daily basis. Do you use the other person’s name in every question you ask or response you make? I’m going to take a wild guess and assume that you don’t. It’s not natural. Once, maybe, but not in every turn as this example shows. It just sounds weird - and although I get that you might try this technique to avoid overusing dialogue tags, just don’t do it. Please. There are much better ways of structuring your dialogue without dialogue tags that don’t make you resort to writing such artificial dialogue. Make Dialogue-Writing Your Superpower: 3 Methods You Need to Deploy Becoming a dialogue-writing superstar isn’t tremendously difficult. It just requires that you change the way you approach writing scenes of dialogue. These 3 methods have helped me improve my dialogue skills - and they can help you, too. #1 Record Real-Life Conversations As a Reference We have conversations with people all the time, but unless you’ve got some kind of memory superpower, it’s unlikely that you remember exactly how the conversations pan out. We remember the gist of conversations, and maybe certain phrases, but conversation is so common that it’s not something we’re likely to remember verbatim. It can be really helpful to have recordings of real-life conversations that you can refer to when you’re writing. This can help make your dialogue sound natural, and can also help with working with dialogue styles and how the way people speak can convey aspects of their character. A word of warning, though. Never, ever record a conversation with someone without asking their permission first. Tell them why you’re recording, and if they’ve got reservations, just don’t record the conversation. Recording your interactions with people without their knowledge can get you into trouble, and it’s really not worth the risk. It’s likely that you’ll have plenty of people who won’t have issues with you recording - it’s just important to be transparent about it. #2 Don’t Strive to Be 100% Realistic I started out trying to make my dialogue realistic, and while I pretty much succeeded in doing that, it wasn’t the best way to approach dialogue. You see, realistic dialogue is full of†¦ well, fluff. We have conversations with people that go off on tangents, are packed with small talk and sentences that kind of trail off. Humans interrupt each other, don’t always use the most concise means of explaining themselves, and often stammer or spend time searching for the right word. If you put all of that in your novel, you’ll absolutely be creating 100% realistic dialogue, but you’ll leave your readers confused, frustrated, or simply running for the hills and vowing never to read anything you write ever again. Okay, that last one is a bit over-dramatic, but it’s how I feel when I read books with â€Å"realistic† dialogue (even though I’m guilty of doing it myself!). Of course, while your dialogue shouldn’t be 100% realistic, you need to get the right amount of realism into your dialogue. It’s a delicate balancing act between too much realism and too little. You still need to incorporate a certain amount of aspects of real human speech, or your dialogue won’t sound natural. If that sounds like trying to navigate a minefield while blindfolded, here are some tips to help you get the balance right in your dialogue: Read your dialogue aloud as you write it. This enables you to notice how the exchanges sound, and you’ll notice if it sounds stilted, contrived or unnatural in any way. You can identify passages of dialogue that don’t flow well, and you may also find yourself tripping over words - which is a big indicator that your dialogue is not as natural as you’d like it to be (or, maybe, if it’s a thick dialect, too realistic). Give your characters different speech patterns - and don’t be afraid to steal these from people you know. Having your characters speak in a certain way - using certain words, dialect aspects and so on - that you’re familiar with makes it easier to create the right amount of realism. Have your characters interrupt each other or trail off in what they’re saying.Be cautious with this one, and use it sparingly. It creates realism, but if you use it too much, you’re going to start annoying your readers. Be careful with accents and dialects. While accents and dialects play a big part in creating distinctive speech patterns for your characters, don’t go overboard with this. It’s okay to have your characters to use some dialect words, but if you have a character with a thick accent, and you convey this in dialogue, it can get†¦ messy. Establish that your character has an accent or dialect, but don’t let this make your dialogue passages confusing or unreadable. #3 Working With Dialogue Tags and Action Beats Dialogue tags (he said, she said and so on) can become intrusive in passages of dialogue if they’re not used in the right way, but they’re also necessary to help readers know who’s saying what. Beginners to the craft of writing often fall into the trap of trying to avoid using ‘said’ all the time, by coming up with all kinds of creative ways of using dialogue tags. There’s nothing wrong with ‘said’, and, in fact, it’s one of the least intrusive of all dialogue tags. You can use other dialogue tags, of course, and it’s a good idea to use other verbs to attribute dialogue occasionally. Readers are so familiar with the word ‘said’ that actually they don’t really pay it much attention - like words such as ‘the’ and ‘and’. One thing that you should avoid when you’re writing dialogue is using adverb dialogue tags. Adverb dialogue tags are those such as ‘she said angrily’, or ‘he muttered grumpily’. Adverb tags are all too common in fiction - and while readers don’t particularly hate them, they’re actually a sign of a lazy writer. What I mean is that using a tag like ‘she said angrily’ is a cheat - you’re telling your readers that your character is angry without taking the effort to use your character’s words to show that they’re angry. You can show it in their actions, too. Just don’t cheat by resorting to the adverb tag. That brings us onto action beats. Action beats are the parts in your sections of dialogue where you describe things like facial expressions, gestures and (sparingly) your characters’ thoughts. It’s good practice to use action beats in your dialogue to avoid having monotonous ‘he said/she said’ tags. Let’s look at an example: Without action beats: â€Å"The hospital called me today,† Becca said. â€Å"What did they say?† Michael said. â€Å"The results came back,† Becca said. â€Å"My counts are back to normal!† â€Å"That’s wonderful news!† Michael said. With action beats: Becca took a deep breath and turned to face her husband. â€Å"The hospital called.† â€Å"And?† Michael froze with a glass of water halfway to his lips. â€Å"The results are in - and my counts are back to normal!† â€Å"Oh, thank God!† Michael set the glass down on the counter and threw his arms around his wife. Action beats give much more impact to your passages of dialogue and can be used to convey all kinds of emotions, responses and so on. Try it out on some existing passages of dialogue and see for yourself what a difference it makes. Becoming a Master of the Art of Dialogue You won’t always get your dialogue right. Even when you’re a master of dialogue-writing, you’re still going to slip up sometimes. Even the biggest names in the fiction-writing world do that sometimes. You can, however, continue to exercise your dialogue-writing muscles so that you don’t have to think so hard about structuring and constructing your dialogue as you’re writing. Over time, it will become more natural to write authentic and effective dialogue. You’ll make fewer mistakes, use dialogue tags in the right way, and your readers will appreciate the effort that you’ve put into honing your craft as a writer. What are you waiting for? Start practicing the art of writing kick-ass dialogue! Mastering the Art of Dialogue - Freewrite Store Some writers find that producing authentic-sounding dialogue comes naturally to them. For a much larger majority, however, mastering the art of dialogue is something that takes a lot of time, effort and experimentation. Even if you find it easy to write passages of dialogue, that doesn’t mean that you’re getting it right. There’s more to mastering dialogue than being able to fill page after page with your characters’ conversations. That’s a lesson that I learned the hard way. I wasn’t fazed by writing dialogue - in fact, I actually enjoyed it - but I didn’t get the balance right, and my writing suffered as a result. My first novels and short stories were full of long passages of, well, meaningless dialogue that didn’t really move the story along. When I went back, several years later, to rewrite those initial books, I cut one manuscript from 120,000 words to 89,000 words, just by tightening up my dialogue. In this article, part of a series on developing and strengthening your writing techniques, we’re going to be looking at 3 of the common dialogue mistakes that writers make and discovering how you can master the art of dialogue by practicing 3 (relatively) simple methods. I can’t promise to make you love writing dialogue, but I can help you to exercise your dialogue-writing muscles in a productive way. Why is it So Important to Get Your Dialogue Right? Dialogue plays a huge role in your writing, so if you’re not getting it right, then you’re less likely to be succeeding as an author. Readers are picky creatures, and they notice things like badly-written dialogue or dialogue that isn’t effective. As writers, we’re slaves to the wants, needs, and desires of our readers, so it’s not like we can just expect them to accept that we have our own way of writing dialogue. If they don’t like our dialogue, they won’t be back - and they’ll probably leave scathing reviews about how disappointed they are. That’s the worst-case scenario, of course, and there are different degrees of bad dialogue (which cause anything from mild annoyance to outright outrage in our readers). The thing you need to understand is that dialogue serves so many functions in a novel that getting it wrong can have a huge impact. In a novel dialogue: Reveals emotion Breaks up the narrative Moves the story along Reveals character traits Do You Make These 3 Dialogue-Writing Mistakes? There are more than three dialogue-writing mistakes that you can make, but these are both the most common and the most problematic. Try to be hyperaware of these mistakes, so you can catch yourself in the act of making them and avoid a lot of editing later. #1 Letting Grammar Rules Rob Your Dialogue of Authenticity When I was in school, I didn’t learn grammar rules. I was born in the United Kingdom, and at the time there was a theory that children didn’t need to be taught the rules of grammar. I’ve no idea why that was the case, but my earliest stories weren’t hindered by worries about grammar. Then I studied English Language and grammar made its bold entrance into my writing. It wasn’t all bad. Some things improved. Unfortunately, my dialogue wasn’t one of them. I’ve discovered that being a stickler for grammar rules only leads to one thing in dialogue: inauthenticity. When I was shackled by grammar rules, my dialogue became formal and unnatural. Like this: Ashley set her handbag down on the dresser. â€Å"Good evening, Martin,† she said. â€Å"Good evening, Ashley,† Martin replied. â€Å"I must inform you that Mrs. Edmundson telephoned during your absence. It was requested that you return the call at your earliest convenience.† Now, there may be instances when it’s okay to use this kind of dialogue - if it portrays character traits, for example, but as a rule of thumb, in dialogue, you don’t need to stick to grammar rules 100%. Your sentences still need to make sense, but people don’t strictly adhere to grammar rules when they talk, so neither should your dialogue. Ashley dumped her bag on the dresser. â€Å"Hey, Martin,’ she called as she walked into the kitchen. ‘Hi, honey,† Martin said, looking up from his laptop. â€Å"Your Mom called while you were out; said can you give her a call back?† Doesn’t this sound way more realistic? #2 Using Dialogue to Explain Back Story in an Obvious Way Every time I see this in a novel, I cringe. I get why authors make this mistake, and I’m probably guilty of doing it myself. Using dialogue to explain back story or offer important facts that the reader needs to know is really common, but for readers, it’s just, well, wrong.Let’s look at an example: â€Å"As you know, Matt, we’ve been researching this aspect of our family history for ten years now,† Theo began. â€Å"Yes, that’s right, Theo. We got started when we had to do a project when we were at high school, didn’t we? It’s been quite an adventure! We’ve discovered some really scandalous things back in the 1700s.† â€Å"I know!† Theo replied, chuckling. â€Å"But, now we can do the Ancestry DNA and find out even more. I sent for the kit last week and it arrived this morning.† There’s nothing natural about this exchange. The characters clearly know all these things so there’s no reason why they’d need to tell each other the details - it’s purely for the readers’ benefit, and that is quite jarring. If you really must convey some backstory in dialogue (though there are lots of other ways to explain your backstory in a creative fashion), then you need to ensure that the conversation sounds more natural. Like this: Theo grabbed the Ancestry DNA kit off the counter and spun round to face his brother. â€Å"Hey, Matt, what’s your favorite thing that we’ve found out about the family history?† he asked. Matt thought for a moment. â€Å"I dunno. There’s so much scandal to choose from,† he replied. â€Å"But I guess it’d be the baby being left on the steps of the church. I mean, that’s what got us hooked on the whole family history stuff.† â€Å"Yeah,† Theo agreed. â€Å"I can’t believe we’ve been investigating this stuff for ten years! It’s like some weird addiction.† â€Å"Better to be addicted to research than the kind of stuff that the other kids who did the same project in high school got addicted to,† Matt said, sighing. â€Å"You heard that Johnny OD’d last week?† Conveying backstory in this way makes the conversation sound more natural and authentic, and it’s not an obvious dump of back story into a dialogue exchange between characters. #3 Overusing Character Names This is one of my pet peeves when I’m reading a novel. It interrupts the flow and makes dialogue sound really unnatural. Take this for an example: â€Å"Hey Dominic, how're things going?† â€Å"Not bad, Alex. How about you?† â€Å"Oh, everything’s going fine, Dominic. Are you still working at the same place?† â€Å"Yes, Alex. I’ve been working there for ten years now. I heard you’d moved up the career ladder.† â€Å"You heard right, Dominic! Got myself a promotion last year, and I’m in the running for another one this year, too.† Think about the conversations you have on a daily basis. Do you use the other person’s name in every question you ask or response you make? I’m going to take a wild guess and assume that you don’t. It’s not natural. Once, maybe, but not in every turn as this example shows. It just sounds weird - and although I get that you might try this technique to avoid overusing dialogue tags, just don’t do it. Please. There are much better ways of structuring your dialogue without dialogue tags that don’t make you resort to writing such artificial dialogue. Make Dialogue-Writing Your Superpower: 3 Methods You Need to Deploy Becoming a dialogue-writing superstar isn’t tremendously difficult. It just requires that you change the way you approach writing scenes of dialogue. These 3 methods have helped me improve my dialogue skills - and they can help you, too. #1 Record Real-Life Conversations As a Reference We have conversations with people all the time, but unless you’ve got some kind of memory superpower, it’s unlikely that you remember exactly how the conversations pan out. We remember the gist of conversations, and maybe certain phrases, but conversation is so common that it’s not something we’re likely to remember verbatim. It can be really helpful to have recordings of real-life conversations that you can refer to when you’re writing. This can help make your dialogue sound natural, and can also help with working with dialogue styles and how the way people speak can convey aspects of their character. A word of warning, though. Never, ever record a conversation with someone without asking their permission first. Tell them why you’re recording, and if they’ve got reservations, just don’t record the conversation. Recording your interactions with people without their knowledge can get you into trouble, and it’s really not worth the risk. It’s likely that you’ll have plenty of people who won’t have issues with you recording - it’s just important to be transparent about it. #2 Don’t Strive to Be 100% Realistic I started out trying to make my dialogue realistic, and while I pretty much succeeded in doing that, it wasn’t the best way to approach dialogue. You see, realistic dialogue is full of†¦ well, fluff. We have conversations with people that go off on tangents, are packed with small talk and sentences that kind of trail off. Humans interrupt each other, don’t always use the most concise means of explaining themselves, and often stammer or spend time searching for the right word. If you put all of that in your novel, you’ll absolutely be creating 100% realistic dialogue, but you’ll leave your readers confused, frustrated, or simply running for the hills and vowing never to read anything you write ever again. Okay, that last one is a bit over-dramatic, but it’s how I feel when I read books with â€Å"realistic† dialogue (even though I’m guilty of doing it myself!). Of course, while your dialogue shouldn’t be 100% realistic, you need to get the right amount of realism into your dialogue. It’s a delicate balancing act between too much realism and too little. You still need to incorporate a certain amount of aspects of real human speech, or your dialogue won’t sound natural. If that sounds like trying to navigate a minefield while blindfolded, here are some tips to help you get the balance right in your dialogue: Read your dialogue aloud as you write it. This enables you to notice how the exchanges sound, and you’ll notice if it sounds stilted, contrived or unnatural in any way. You can identify passages of dialogue that don’t flow well, and you may also find yourself tripping over words - which is a big indicator that your dialogue is not as natural as you’d like it to be (or, maybe, if it’s a thick dialect, too realistic). Give your characters different speech patterns - and don’t be afraid to steal these from people you know. Having your characters speak in a certain way - using certain words, dialect aspects and so on - that you’re familiar with makes it easier to create the right amount of realism. Have your characters interrupt each other or trail off in what they’re saying.Be cautious with this one, and use it sparingly. It creates realism, but if you use it too much, you’re going to start annoying your readers. Be careful with accents and dialects. While accents and dialects play a big part in creating distinctive speech patterns for your characters, don’t go overboard with this. It’s okay to have your characters to use some dialect words, but if you have a character with a thick accent, and you convey this in dialogue, it can get†¦ messy. Establish that your character has an accent or dialect, but don’t let this make your dialogue passages confusing or unreadable. #3 Working With Dialogue Tags and Action Beats Dialogue tags (he said, she said and so on) can become intrusive in passages of dialogue if they’re not used in the right way, but they’re also necessary to help readers know who’s saying what. Beginners to the craft of writing often fall into the trap of trying to avoid using ‘said’ all the time, by coming up with all kinds of creative ways of using dialogue tags. There’s nothing wrong with ‘said’, and, in fact, it’s one of the least intrusive of all dialogue tags. You can use other dialogue tags, of course, and it’s a good idea to use other verbs to attribute dialogue occasionally. Readers are so familiar with the word ‘said’ that actually they don’t really pay it much attention - like words such as ‘the’ and ‘and’. One thing that you should avoid when you’re writing dialogue is using adverb dialogue tags. Adverb dialogue tags are those such as ‘she said angrily’, or ‘he muttered grumpily’. Adverb tags are all too common in fiction - and while readers don’t particularly hate them, they’re actually a sign of a lazy writer. What I mean is that using a tag like ‘she said angrily’ is a cheat - you’re telling your readers that your character is angry without taking the effort to use your character’s words to show that they’re angry. You can show it in their actions, too. Just don’t cheat by resorting to the adverb tag. That brings us onto action beats. Action beats are the parts in your sections of dialogue where you describe things like facial expressions, gestures and (sparingly) your characters’ thoughts. It’s good practice to use action beats in your dialogue to avoid having monotonous ‘he said/she said’ tags. Let’s look at an example: Without action beats: â€Å"The hospital called me today,† Becca said. â€Å"What did they say?† Michael said. â€Å"The results came back,† Becca said. â€Å"My counts are back to normal!† â€Å"That’s wonderful news!† Michael said. With action beats: Becca took a deep breath and turned to face her husband. â€Å"The hospital called.† â€Å"And?† Michael froze with a glass of water halfway to his lips. â€Å"The results are in - and my counts are back to normal!† â€Å"Oh, thank God!† Michael set the glass down on the counter and threw his arms around his wife. Action beats give much more impact to your passages of dialogue and can be used to convey all kinds of emotions, responses and so on. Try it out on some existing passages of dialogue and see for yourself what a difference it makes. Becoming a Master of the Art of Dialogue You won’t always get your dialogue right. Even when you’re a master of dialogue-writing, you’re still going to slip up sometimes. Even the biggest names in the fiction-writing world do that sometimes. You can, however, continue to exercise your dialogue-writing muscles so that you don’t have to think so hard about structuring and constructing your dialogue as you’re writing. Over time, it will become more natural to write authentic and effective dialogue. You’ll make fewer mistakes, use dialogue tags in the right way, and your readers will appreciate the effort that you’ve put into honing your craft as a writer. What are you waiting for? Start practicing the art of writing kick-ass dialogue!

A View of How Elizabeth Cady Stanton Was Instrumental In Pushing Forward the Right for Women to Vote

A View of How Elizabeth Cady Stanton Was Instrumental In Pushing Forward the Right for Women to Vote Women’s rights movement is the most important event that happens a long time ago since the day all men take over in every area such as decisions, jobs, the stands in society, etc. Many activists have stood up for their own rights such as the women’s rightssuch as Susan B. Anthony, Alice Paul, Lucy Stone, and Ida B. Wells. Elizabeth Cady Stanton is one of those who stand up for the war of women’s rights. Shewrites a draft, â€Å"Declaration of Sentiments and Resolutions, Seneca Falls Convention, 1848,† to providethe limitations women face during that time; she feels women deserve those rights. Afterwards, the women’s rights have been approved, but many wrongs have yet to be addressed since the 19th Century such as denying women the right to vote, denying women the right to work in profitable employment by monopolizing jobs and banning women from working in theology, medicine, and law, and creating and perpetuatinga system of dependency that causes wo men to lose self-respect and confidence different moral codes for both men and women in her arguments. Elizabeth Cady Stanton points out how men and society reject women to vote. She writes a list of many wrongs to women in the Declaration of Sentiments and Resolutions, Seneca Falls Convention, 1848, which takes place in New York, on Nolo website with the article, â€Å"He has never permitted her to exercise her inalienable right to the elective franchise.†Elizabeth Cady Stanton is one of the very first activists for the women’s rights. She involves in the women’s rights movement from 1815 to 1902. She writes the Declaration of Sentiment and Resolutions, Seneca Falls Convention, 1848, as a draft to the Government seeking approval to amend the United States of America Constitution. No one sees anything wrong with a female stands up and speaks out loud about her thoughts or vote and elect whomever they want for any of the elections. Denying women the right to work in profitable employment by monopolizing jobs and banning women from working in theology, medicine and law is the second point in the abuse lists that Elizabeth Cady Stanton throws out for proving the most significant defections such as this following statement in her Declaration of Sentiments and Resolutions, Seneca Falls Convention, 1848, â€Å"He has monopolized nearly all the profitable employments, and from those she is permitted to follow, she receives but a scanty remuneration. He closes against her all the avenues to wealth and distinction, which he considers most honorable to himself. As a teacher of theology, medicine, or law, she is not known.†Historically, women’s roles include maintaining the entire household, but in modern day times, women deserve the right to work as men because they born equally and work with their strongest power as men. Women find the right rights to earn or receive and gain back everything as men in wor k places. Base on an article of Victor Tembo in Linked in website, he says: â€Å"The EU has attempted to provide leadership on issues of Gender by making gender equality as a primary objective in the various projects. Sadly, in 2012, only 28 percent of new EU project proposals had gender as a primary or significant objective, far below the target of 80 percent for 2015. Luckily however, consensus is growing around the need to demonstrate more sturdy leadership to ensure that gender equality and women’s empowerment stay visible and high on the agenda.† He also states out: â€Å"I have a vision that one day, the world especially in the developing countries, will look at women as significant contributors to the GDP of a country and to the well being of not just their families but society as a whole. I have a vision that within 5 years from today, there shall be a significant improvement in the numbers of women leaders at various levels (a situation which can be guarante ed if the rights of women are properly institutionalized within policies of organizations). My belief is that the attitudes and expectations surrounding gender roles are typically based not on any inherent or natural gender differences, but on stereotypes, or overgeneralizing about the attitudes, traits, or behavior patterns of women or men. Its admirable how the western countries have developed in all fields of life. Their education system, their health care system, information technology etc., are in the highest rankings. In western countries men and women are working shoulder to shoulder in the same pace and both are contributing and playing their parts equally in the developmental processes. They are given basic education as well as fundamental and higher education without any restrictions from the society. Early pregnancies or early marriages that are prevalent in Africa and have stopped many African girls becoming relevant in society are unheard of. That is why the West is tha t much developed. They are educating and encouraging both the sexes equally without discriminating or neglect of the girl child. In this way,there is competition and where there is competition there is invention and invention leads to massive development in one way or another.† The last point that Elizabeth Cady Stanton mentions is about creating and perpetuatinga system of dependency that causes women to lose self-respect and confidence different moral codes for both men and women in her Declaration of Sentiments and Resolutions, Seneca Falls Convention, 1848. Therefore, these next following statements speak up the full meanings of how the society and men treat women back in the days in every area: â€Å"He has created a false public sentiment by giving to the world a different code of morals for men and women, by which moral delinquencies which exclude women from society are not only tolerated but deemed of little account in man.† And, â€Å"He has endeavored, in every way that he could, to destroy her confidence in her own powers, to lessen her self-respect, and to make her willing to lead a dependent and abject life.† If men can do it, then women can do it, too. He, or no one needs to calculate or spend time to do any separations or compar isons in every situation between men and women. According to the Declaration of Sentiments and Resolutions, Seneca Falls Conventions, 1848 of Elizabeth Cady Stanton writes as a draft in New York for fighting for the women’s right movement to get the approval from the United States of America Constitution for being one of the amendments. Elizabeth Cady Stanton and Susan B. Anthony are the founders of the Women’s Loyal National League in 1863 and they initiate the American Equal Rights Association in 1866, which campaign the rights for women and African Americans. They post the newspapers about the Women Suffrage and fight for them in years after that. Elizabeth Cady Stanton talks about how women get treated by men and society as non-human with no voices and choices since 1800s to the 19th Century. It seems women do not deserve anything like that. Why does the society make women live in no voices, choices and stay under men’s? Women are born equally as men. So, they deserve everything as men do. That means, they deserve the rights to vote, to speak, to work, to do anything they want as men, even for awhile much has changed for women since the 19th Century, many wrongs have yet to be addressed such as such asdenying women the right to vote, denying women the right to work in profitable employment by monopolizing jobs and banning women from working in theology, medicine, and law, and creating and perpetuatinga system of dependency that causes women to lose self-respect and confidence different moral codes for both men and women in her Sentiments to the Government and the world out there to stay on the right side.

Effects of Gender on Effective Corporate Leadership Research Paper

Effects of Gender on Effective Corporate Leadership - Research Paper Example This essay declares that  Leadership is a process of collective influence whereby one person solicits the aid and support of followers and from other leaders to get organization’s goals accomplished. Effective leadership requires closer interaction between the leader and a follower, in a way, that they can easily influence the course of action of their followers to achieve a particular goal.  Various studies advocate effective leadership as characterized by intrinsic values and traits possessed by certain groups of people and their efficiency of application in the business environment to achieve desired goals or to solve organization crisis.  Leaders are known to use different strategies and leadership styles of management and, of course, the outcome of their practices differ across the organizations. This study will be focusing on the main differences between male from female their leadership styles by examining leadership traits for effective leadership. The study is based on the assumption that women are more likely to interact freely with their followers and influence their course of action while male impose their ideologies on their followers establishing autocratic leadership in the organizations.  Effective leadership is determined by other underlying factors apart from personal leadership attributes. The document will focus on female competence leadership traits and an assessing of factors limiting effective leadership among the women.